In 'Tage der Perseiden', Michel Kekulé explores the blurred space between memory and the present, between proximity and distance. A photographic movement through what fades without ever fully arriving. Places that withdraw. Moments that do not stay. Solitude not as rupture, but as a state.
Following the documentary works Mutterland and 50_15, this work is not a departure but a shift in direction. No chronology, no event. An engagement with what slips away. Without explanation. Without posture. A condition.
This work is an exploration.
Of grief, loss, closeness.
Of resistance, retreat, and the question of how one relates to the world.
Always with one foot beside time.
Of grief, loss, closeness.
Of resistance, retreat, and the question of how one relates to the world.
Always with one foot beside time.
This work is ongoing and remains open.
